She would be much more conventional and frightened. What would Leah Schrager’s work look like if OnaArtist didn’t exist? Ona knows that this two way mirror allows Leah to watch but doesn’t mind because she has no desire to hide. Leah also hacks into Ona’s computer via network and downloads images without Ona’s permission. Leah watches Ona and captures parts of her thru the mirror. Ona sees only herself when she looks at the mirror. Leah and Ona live in the same house and the only way they are connected is thru a two way mirror that connects their bedrooms. Ona is okay with Leah only because the art world presents Ona a new potential constituency.Ĭan you tell me a little about your process? Do you use images that belong to Ona or do you use completely separate images? What do you use as reference material? Leah is intrigued by Ona’s numerical facility and metrics. For her part, it seems Ona is uninterested in Leah’s need to be the enigmatic artist, but Leah seems “stuck” with the art world’s apparent demand for distancing from and resistance to the audience whereas Ona revels in simple numbers and openness. Leah is obsessed (fascinated and envious) with decoding the secrets (ways) that Ona has built her massive following. Leah Schrager is an artist, Ona Artist is an Instagram star. “It is a great crystallization of this moment in time and women’s place in art and Instagram.How would you describe the interaction and relationship between Leah Schrager and OnaArtist? How do they feed one another? “I’m thankful that it happened,” she said. The engagement boosts the algorithm, ultimately driving more followers and traffic Ona’s way.Įven though Schrager would have preferred credit for appearing in the viral photos, she’s still pleased with its widespread popularity. “The negative comments are just part of the trade,” she says. ![]() Ona charges fans $30 a month to subscribe and see all nude photographs and videos on her Snapchat and NSFW website, and $500 an hour for private sex-cam sessions. The persona is also a way for Schrager to make a living. It’s just censorship, sexism, and misogyny.” But that puts a huge damper on the performative and earning potentials of female artists. Currently, it’s just written off as not art. I think arousal or sexuality is just another material, like oil or acrylic, and that it should be taken seriously and considered in art criticism. ![]() This has been repeated to me over and over by dealers, gallerists, colleagues,” she said, “and I just don’t believe this has to be the case in the long run. “As soon as a woman posts a photo that can be interpreted as sexual, then it is not art. Leah Schrager, Angles on Women (2019) at the Montauk Beach House. ![]() “Then, while DMing these huge meme pages asking to be credited, I ran into resistance from men who felt it was their right to show my body without naming me and who even ridiculed me for trying to be identified.” “At first, everyone posted it without tagging me, which I consider image theft,” Schrager wrote on her website. Schrager is also the subject of the boutique hotel’s current exhibition, “ Unprotected Specs,” organized with East Hampton art gallery Roman Fine Art. The overtly sexualized online persona, which goes by the handle is a cam girl who has embraced objectification-and amassed 3 million followers since her Instagram debut in 2015. ![]() It was meant to be presented as the work of an alter ego she calls “Ona.” Her actions by the pool were actually part of her first live performance, which she titled Angles on a Woman. By then the video already had over one million views and the clip quickly went viral on Instagram meme accounts from there. A post shared by Barstool Sports hour later, one of Schrager’s followers recognized her, and tagged her in the comments.
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